Urban Vibrations: Sound, Selfhood and The City In The Work of Magda Stawarska-Beavan

[James Mansell, February 2017]

Listen. What can you hear? All quiet? Or is there a noise? Most of us rarely pause to consider the sounds around us. 

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Resonating the Visual: Printmaking and Sound Practice

[Magda Stawarska-Beavan, December 2017]

Cross disciplinary practice has long been established in contemporary fine art but how might working in one discipline, influence that approach taken in another, especially in the context of printmaking and sound art?

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To hear a sound [Kraków to Venice in 12 hours]

[An Introduction to the work of Magda Stawarska-Beavan by Deborah Stevenson, April 2016]

“To hear a sound is to see its space. Space has tonality, and I imagine myself composing a space lofty, vaulted, or under a dome, attributing to it a sound character alternating with the tones of a space, narrow and high, with graduating silver, light to darkness.”

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